《青头巾》的中日文化渊源及佛学旨归  

Chinese and Japanese Cultural Origins and Buddhism Objectives in Green Scarf

作　　者：张震[1] 

机构地区：[1]东南大学人文学院,江苏南京211189

出　　处：《日本问题研究》2016年第2期63-72,共10页Japanese Research

基　　金：中央高校基本科研业务费资助项目;江苏省2015年普通高校研究生科研创新工程资助项目(KYLX15_0204)

摘　　要：日本志怪小说《青头巾》蕴含了丰富的文化和宗教意义,其"青巾"、"证道得脱"的主题有明晰的佛教文化传承谱系,是日本江户时代的中日两国民间传说、市井文化和佛教思想交汇融合的集中体现;通过对"佛法与情欲的冲突"、"禅密冲突"等既有观点的进一步反思,在回答大谷雅夫教授三个诘问的基础上,认为该小说是以"佛魔一如"思想为核心,以教人不断破除欲执、语执、法执为根本旨归的"佛教叙事"。The tale of mystery story Green Scarf contains abundant cultural and religious significances. The theme of ＂green scarf＂ and ＂gain enlightens and be free＂ has a definite lineage with Buddha culture that was the integrative embodiment of Chinese and Japanese folk tales, civic culture and Buddhism in the era of Edo period. Through the further reflection to the view of the conflicts between Buddhism and lust,Zen and Tantra, based on answering the three questions of Professor Ootani Masao, the paper thinks the novel takes ＂Buddha and demon unities＂ as the core,and Buddhist narrative as fundamental objective in order to teach people to get rid of the desire,language persistent and law enforcement.

关 键 词：青头巾 中日文化 佛教叙事 佛魔一如 

分 类 号：I3[文学—其他各国文学]