当代动漫与后现代表现技法  

Contemporary Animation and Postmodern Techniques

作　　者：徐秀明[1,2] 

机构地区：[1]杭州师范大学人文学院,浙江杭州311121 [2]中国社会科学院文学所,北京100732

出　　处：《美育学刊》2016年第3期89-94,共6页Journal of Aesthetic Education

基　　金：国家社科基金青年项目<"文化研究"视野下的中国动漫>(09CZW062);浙江省之江青年社科学者项目<20世纪中国文学与文化现代性>(T4-2);杭州师范大学科研项目<中国动漫文化研究>(2011QDW106)的研究成果

摘　　要：当代动漫是一项兼容并蓄的大众艺术,后现代主义是其重要的精神资源与创作手法。时下许多成功的动漫佳作得益于拼贴、挪用、戏仿、反讽、解构、颠覆等后现代表现技法。中国动漫以往奉行古典美学,太过的拘泥于求真写实的现实主义技法,严重限制了自身的发展。新世纪前后,中国动漫开始积极借鉴国外动漫的先进技法与经验,出现了《十万个冷笑话》《三国演义》等优秀作品。后现代已成为当下中国动漫最重要的发展路向之一。Contemporary animation is a comprehensive public art w ith postmodernism as its important spiritual resource and creative technique.Now adays many successful masterpieces of animation draw on postmodernist techniques,such as collage,appropriation,parody,irony,deconstruction,subversion and so on.Chinese animation used to embrace classical aesthetics w ith undue emphasis on realism,w hich severely hampered its ow n development.At the turn of the the new century,Chinese animation began to learn from the advanced techniques and experience of foreign animation,and outstanding w orks such as The One Hundred Thousand Cold Jokes,Romance of the Three Kingdoms emerged as a result.Postmodernism has become one of the most important paths of development for Chinese animation.

关 键 词：动漫美学 中国动漫 后现代 大众艺术 表现技法 

分 类 号：J954[艺术—电影电视艺术]