明清之际即墨黄氏家族的政治劫难及其诗风转变  

Political Disaster and Change in Poetic Style of Huang's Family at Jimo during the Alternation of the Ming and Qing Dynasties

作　　者：王小舒[1] 

机构地区：[1]山东大学文学与新闻传播学院

出　　处：《文史哲》2016年第3期105-115,167,共11页Literature,History,and Philosophy

基　　金：国家社会科学基金项目"明清之际山左诗人家族群体研究"(08BZW040)的阶段性成果

摘　　要：即墨黄氏是山左东莱地区的仕宦兼文学大族,明朝灭亡以后,该家族成员往往怀有遗民情结。清康熙初年,黄氏家族遭到"黄培诗狱案"的迫害,牵动京、省、州、县四级官府,涉及二百余人,还牵连到著名思想家兼诗人顾炎武。这个案件的审理对即墨黄氏家族及当地的文化生态均造成了严重摧残。由此,黄氏作家的文学风尚也发生了变化,诗歌创作多用比兴,表达隐晦含蓄,转而追求神韵兴象的艺术境界。此与山左地域文化及时代环境有着直接关系,而他们的艺术成就也超越了前辈。The Huang family at Jimo was an influential family in officialdom and literature in Donglai Prefecture of Shandong Province.After the collapse of the Ming Dynasty,the family members tended to remain loyal to the fallen house.In the early reign of Emperor Kangxi,the family was persecuted by the 'poetic inquisition of Huang Pei,'which affected governments at the levels of the capital,province,prefecture,and county,and more than two hundred people(even including Gu Yanwu,the famous thinker and poet)were involved.The trial of this case greatly harmed the Huang family and local culture.From then on,the literary style of the family also changed:they applied the techniques of metaphor and analogy in poetic creation,expressed subtlety,and pursued romantic charm and imagery.That had a direct bearing on the regional culture conditions of Shandong Province,and their artistic achievements also surpassed their predecessors.

关 键 词：黄氏家族 文字狱案 诗风转变 

分 类 号：I207.22[文学—中国文学]