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作 者:汪国林[1]
出 处:《山西农业大学学报(社会科学版)》2016年第8期601-608,共8页Journal of Shanxi Agricultural University:Social Science Edition
基 金:国家社科基金一般项目(14BZW092);2014年度安徽省高校优秀青年人才支持项目(20141142)
摘 要:宋初白居易诗盛行,有"国初沿袭五代之余,士大夫皆宗白乐天诗"之说。学界对宋初白体诗的内涵、风格、构成、历史命运等诸多问题的认识存在分歧。对其内涵,我们认为它是五代宗白诗风的自然顺延,并由此追慕白居易且不断融入新朝气息而形成的一种诗风相近的诗体;其风格具有明显稳定性与统一性也有较突出阶段性与个体差异性,以动态的眼光审视宋初白体诗的发展历程更为妥当;其具体构成难以详考,可大略分为典型作家、一般作家及其阶段学白三部分;其历史命运是随着白体退出文坛中心,其影响转入更深层次的融合,并成为宋代诗歌的重要渊源之一。In the early Song Dynasty,the first flourished was Bai-ti poetry,whose subjects are very wide in range.There are saying " All poets are learning Bai Le-tian's poems." Currently,in the academic community,there are different views about its connotation,style,composition,and other historical destiny.As for connotation,it may continues Zong-Bai poem of the Five-Dynasty and thus follows Bai Ju-yi,with new input,and at last a similar verse poetry forms.Its style has obvious stability and unity,but also is characterized by prominent stage style and individual differences.A dynamic vision for the course of its development would be more appropriate.It is difficult to understand in detail the composition of Baiti poets,but it can be roughly divided into three groups;typical writers,average writers and the stage learning Bai.Its historical destiny ended with it resigned from the center of the literary world,but its influence displayed in,and become one of the important origins of the Song Dynasty poetry.
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