时代的感伤与人性的复活——解读刘继明《夏日里的最后一朵玫瑰》的结构艺术  

Our Melancholy Time and the Revived Humanity-On the Structural Art of Liu Jiming's Mini-novel The Last Rose of the Summer Days

作　　者：马小凤[1] 

机构地区：[1]西南大学中国新诗研究所,重庆400715

出　　处：《楚雄师范学院学报》2016年第4期24-29,共6页Journal of Chuxiong Normal University

摘　　要：微型小说言简义丰,运用短小的篇章浓缩复杂深厚的情感蕴藉,《夏日里的最后一朵玫瑰》凸显了微型小说在悬念设置、结构架设、主旨隐喻方面的优势,用精简凝练的笔触刺痛人性复归的深层问题。笔者着重采用文本细读的批评方法,从情节的悬念设置、故事的结构架设、主旨的深层隐喻三个维度,揭示微型小说的叙事结构和隐喻内涵层面的复杂技艺性,读解小说在传达美好人性思考的背后,对时代和人性的潜在的感伤书写。Short but meaningful as all mini- novels are,The Last Rose of the Summer Days touches the depth of the revived humanity by creating advantages in terms of suspension,structure,and metaphor.By reading the text of the mini- novel closely,the present author tries to reveal the complicated techniques in narrative structure and metaphor connotation from three dimensions–suspension creation,story structure and metaphor of theme–so as to understand the hidden melancholy of both our time and humanity beneath the beauty of humanity depicted.

关 键 词：小说结构 人性复活 主旨隐喻 感伤色彩 

分 类 号：I207.425[文学—中国文学]