以“生活文学化”对抗“日常生活审美化”——哈罗德·布鲁姆后期美学思想探赜  

“Aestheticization of Everyday Life” vs. “Literarization of Life”:A Probe into Harold Bloom's Aesthetic Ideas in His Late Period

作　　者：曾洪伟[1] 

机构地区：[1]西华师范大学外国语学院

出　　处：《国外文学》2016年第2期1-9,共9页Foreign Literatures

基　　金：笔者主持的四川省哲学社会科学规划项目'哈罗德.布鲁姆宗教批评观研究'(SC12WY009)的阶段性成果

摘　　要：布鲁姆的文化身份与美学思想在后期经历了从学院批评家到大众美育家、从'为艺术而艺术'到'为艺术而生活'的转型与嬗变。对于布鲁姆而言,唯美主义'为艺术而生活'的理念其实是'生活文学化'(包含'文学生活大众化')。作为生活于后现代消费社会中的新唯美主义者,布鲁姆正是察觉和意识到传统唯美主义以及后现代主义在生活与艺术关系问题上所存在的理论缺陷和所引发的现实危机,提出了自己独到的'生活文学化'美学主张,对唯美主义的'生活艺术化'以及后现代主义'日常生活审美化'理论主张具有一定的纠偏补弊作用。In his late period,Harold Bloom's cultural identity and aesthetic ideas evolve first as an academic critic and then as a mass aesthetic educator,from 'art for art's sake 'to 'life for art's sake '. For Bloom,the idea of 'life for art 's sake ' essentially means 'literarization of life '( including'popularization of literary life'). As a new aesthete living in a postmodernist consumer society,Bloom finds theoretical faults both of traditional aestheticism and of postmodernism with respect to the relationship between life and art,and puts forward his own unique aesthetic idea of 'literarization of life',which to a certain degree rectifies the aesthetic 'artistic turn of life ' and the postmodernist'aestheticization of everyday life'. Bloom's 'literature'represents a kind of elitist aesthetic taste and life style,and he intends his 'literarization of life 'to oppose postmodernist aesthetic culture and to publicize and popularize his elitist aesthetic taste and life style,and it also symbolizes a modernist aesthetic counter-attack against postmodernist aesthetics.

关 键 词：哈罗德·布鲁姆后期美学思想 生活文学化 文学生活大众化 日常生活审美化 

分 类 号：B83-0[哲学宗教—美学]