民国年间上海京剧唱片概论  

A Study of Peking-Opera Phonorecords in Shanghai in the Republic of China

作　　者：赵炳翔[1] 

机构地区：[1]上海师范大学谢晋影视艺术学院

出　　处：《戏剧艺术》2016年第3期112-123,共12页Theatre Arts

基　　金：2015年度国家社科基金艺术学一般项目<民国年间的京剧唱片研究>(项目编号:15BB021)的阶段性研究成果

摘　　要：19世纪末,留声机与唱片传入我国。20世纪初,西方唱片公司主动开拓中国市场,英国留声机、胜利、百代等著名唱片公司纷纷来华录音,并成立跨国公司,以实现产业"本土化",从而谋求丰厚的商业利益。上海由于特殊的地理和人文环境,迅速成为了中国唱片业的发源地,并在民国时期形成了较为成熟的唱片产业链。京剧艺术在唱片业的发展和推动下,取得了长足的进步,达到了空前的繁荣。主要体现在以下几个方面:艺术传播更加广泛,演唱水准明显提高,流派唱腔得以传承。目前,民国年间的京剧老唱片作为一笔弥足珍贵的财富,亟待保护、整理、采录与开发。The Gramophone and phonorecord were introduced into Shanghai by the end of the 19th Century. During the early 20th Century, some western audio companies used active strategies to develop the Chinese market. Gramophone＆Typewriter, Victor, Path6 and many other companies came to China in succession, and developed transnational corporations in order to indigenize their industries and maximize their profit. Because of its special geographical and cultural environments, Shanghai soon became the base for Chinese phonorecords. A mature industry chain of phonorecords had been made in Shanghai during the Republic of China period. The sophistication of the phonorecord industry promoted the development of Peking Opera and led to an unprecedented prosperity of the art, which was reflected in three aspects, namely, wider spread, higher standards of singing, and the passing on of different schools of singing. Today the precious corpus of the phonorecords of the Republic of China period call for better preservation, categorizing, collection, and utilization.

关 键 词：民国 上海 京剧 唱片 研究 

分 类 号：J80[艺术—戏剧戏曲]