宗炳“真精神”与《画山水序》之理论架构  

The Theoretical Framework of Preface of Drawing Landscape Based on Real Sprit of Zongbing

作　　者：窦薇[1] 

机构地区：[1]云南农业大学学报编辑部,云南昆明650201

出　　处：《云南农业大学学报（社会科学版）》2016年第3期111-116,共6页Journal of Yunnan Agricultural University(Social Science)

摘　　要：文章首先阐释了宗炳"真精神"的内涵,即:以自然人性论为基础的"天人合一"的体道境界;在此基础上提出:其著名的美学命题"澄怀味象",是一种基于"真精神"基础之上的审美心胸论和审美体验论,它要求主体在纯净的心灵状态下去体会蕴含在自然山水中的,作为哲学本体与审美本体的"道"。This paper interprets the connotation of real sprit owned by Zongbing firstly,that is： the realm of feeling good about Tao based on the theory of human nature; on this basis,this paper holds that the famous aesthetical proposition,quiet taste of image,is a kind of theory about aesthetical breadth of mind and experience based on the real sprit,and this proposition requires the aesthetic subject to realize the Tao considered as philosophical and aesthetical ontology,which containing in landscape,under the pure state of mind.

关 键 词：“真精神” 审美心胸论 审美体验论 

分 类 号：I206[文学—中国文学]