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作 者:孙桂芝[1]
出 处:《乌鲁木齐职业大学学报》2016年第2期30-33,共4页Journal of Urumqi Vocational University
基 金:昌吉学院社科项目"叙事学视野下的"女人气"与传播媒介"(2014BSQD002)
摘 要:20世纪八十年代中期英美、法国女性主义文学批评学者的文章被介绍到中国文艺理论界,至今已有三十年历程,在此期间,中国学界一方面加强、加快对西方女权主义以及女性主义相关理论的翻译引进、学习借鉴,积累了众多的研究成果,同时也形成了一批具有影响力的学者群。成就与问题并存,中国女性主义文学批评目前也面临着在研究方法和研究路径上如何突破前期已有成果的挑战。总结和反思将有助于澄清思路、确定发展方向。1980s mid western feminist literary criticism went into the literature and art circles of Chinese,and it contributed directly to the formation of modern Chinese feminist literary criticism. By 30 years of development, Chinese scholars strengthened the translation of introduction on western feminism and feminist theory learning, which made them has accumulated a large number of research results, but also has formated a group of influential scholars. Achievements and problems coexist, feminist literary criticism in China is also faced with both how to development research methods and how to challenge the previous results. summary and reflection would help to clarify ideas and determine the direction of development.
关 键 词:中国女性主义文学批评 女权主义 理论自觉
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