论俄罗斯摇滚乐的本土化进程  

A Study on the Localization of Russian Rock-and-Roll

作　　者：吕莉[1] 

机构地区：[1]沈阳师范大学外国语学院,辽宁沈阳110034

出　　处：《浙江外国语学院学报》2016年第3期95-99,112,共6页Journal of Zhejiang International Studies University

基　　金：文化部文化艺术科学研究项目(14DH55)

摘　　要：俄罗斯摇滚乐在最初只是全盘模仿西方,缺乏自己的特色。直至20世纪60年代末逐渐出现本土化倾向,其代表维索斯基创作了大量的民谣摇滚,并尝试将摇滚与俄罗斯民族音乐相结合。20世纪70年代至80年代,一些摇滚音乐人着意创建具有本土特色的摇滚乐,其中"时间机器"的马卡列维奇所创作的歌词文本被公认为俄罗斯摇滚诗歌的最初范本。20世纪90年代俄罗斯摇滚乐逐渐衰败,而这个时期最受欢迎的"柳贝"乐队主唱拉斯托尔古耶夫坚持本土化创作理念,推动俄罗斯摇滚乐向纵深发展。At the very beginning,Russia＇s rock-and-roll is just a pure imitation of Western style and presented no localized features at all. It is not until 1960 s that there appeared to be a localized tendency in Russian rock-and-roll and Wysocki was the typical singer of this kind of music. He created a lot of folk rockand-roll and at the same time,he tried to combine the Western rock-and-roll with folk songs. From 1970 s to1980s,some rock-and-roll musicians created the kind of rock-and-roll with its own national character,and it is widely believed that Makarevich from ＂Time Machine＂created the initial paradigm for Russia＇s rock-androll lyrics. Russia＇s rock-and-roll began to decline in 1990 s. Rastorguev—the vocal lead in the most popular band,＂Lyube＂,insisted on the concept of localized composition,which promoted the further development of Russia＇s rock-and-roll.

关 键 词：俄罗斯 苏联 摇滚乐 本土化 

分 类 号：I512.072[文学—其他各国文学]