“浓春烟景似残秋”--王士祯神韵诗学的时代文化意蕴  

The Spring Scenery with Thick Smoke was Like Autumn:The Age Cultural Connotation of Wang Shizhen's Poetics of Romantic Charm

作　　者：李明军[1] 朱利侠[2] 

机构地区：[1]临沂大学文学院,山东临沂276005 [2]临沂大学图书馆,山东临沂276005

出　　处：《临沂大学学报》2016年第3期63-72,共10页Journal of Linyi University

基　　金：国家社会科学基金项目“明清之际儒家诗学体系重构研究”(15BZW077)

摘　　要：王士祯继钱谦益之后,执诗坛之牛耳,被称为一代正宗。其于顺康时期文化融合转型之际,迅速完成了诗风转变,找到了最适宜的表达方式。王士祯将这种独特的表达方式归纳为神韵说。在凭借诗名得到康熙帝赏识后,王士祯逐渐淡化诗中让遗民文人产生联想的伤感,自觉向正统靠拢,有意识地为盛世鼓吹雅音。王士祯诗坛领袖地位之确立与其官位密切相关,因而受到赵执信的质疑。赵执信以儒家诗教为准则对王士祯神韵说的批评,可以说切中其要害。Wang Shizhen became the leader in poetic circles after Qian Qianyi.He quickly finished the style changes and found the most appropriate expression in the period of cultural fusion and conversion during Emperor Shunzhi and Emperor Kangxi.Wang Shizhen generalized this unique expression as poetics of romantic charm.After he was appreciated by Emperor Kangxi largely due to poems,Wang Shizhen gradually desalted the sadness in his poems that cause the survivor scholars' association,approached to the legitimism purposefully,and sang praise of the flourishing age consciously.Wang Shizhen's leader status was closely related to his post,which was questioned by Zhao Zhixin,who criticized Wang Shizhen's poetics of romantic charm with Confucian poetics,and his criticism was to the point.

关 键 词：神韵说 韵外之致 儒家诗教 时代文化意蕴 人格精神 

分 类 号：I207.2[文学—中国文学]