《奥德赛》几何结构的审美生成与意蕴阐释  

On the Aesthetic Generation and Interpretation of Meanings of the Geometry of Odyssey

作　　者：宋虎堂[1] 

机构地区：[1]复旦大学中国语言文学系,上海200433

出　　处：《浙江师范大学学报（社会科学版）》2016年第4期92-97,共6页Journal of Zhejiang Normal University(Social Sciences)

摘　　要：从几何要素的审美向度分析《奥德赛》的艺术结构,就会突破线性叙事的阐释定向,在时空维度上得到不一样的几何构成和审美感受。以奥德修斯为中心视点探究《奥德赛》几何结构的审美生成就会发现,随着奥德修斯这一中心视点的推移,奥德修斯与其余主要人物构成的关系支线在结构中心视点的推移和相交中形成了不同的三角平面,并在"回家"主题的统照下形成了一个立体的"三棱锥"几何空间。《奥德赛》几何结构的审美生成不仅显示了作品的空间艺术与立体美感,而且形象地再现了古希腊时代的文化传统,显现出永恒的审美魅力。Analyzing the artistic structure of Odyssey from the orientation of geometric elements,it will break through the linear narrative interpretation orientation,and obtain the dissimilarity of the geometric structure and aesthetic feelings in the dimensions of space and time. Taking Odysseus as the central point of view to explore the aesthetic generation of the geometry of Odyssey,it would find,along with the passage of central viewpoint of Odysseus,Odysseus＇ s relationships with the rest of the main characters form different trigonal planes in the course of intersection,thus constituting a three-dimensional ＂triangular pyramid ＂ geometric space in the ＂home＂theme. The aesthetic generation of the geometry of Odyssey not only displays the work of space art and three-dimensional beauty,but also figuratively reappears the cultural traditions of the ancient Greek times,showing the eternal aesthetic charm.

关 键 词：《奥德赛》 奥德修斯 几何结构 时空性 

分 类 号：I106.4[文学—世界文学]