错失与错置:《洛丽塔》中的流亡意识与道德存在探究  

Lostness and Misplacement:A Study of Alienation and Moral Existence in“Lolita”

作　　者：吴中东[1] 宫玉波[2] 

机构地区：[1]国际关系学院外国语学院,北京100091 [2]北京交通大学语言与传播学院,北京100044

出　　处：《东北师大学报（哲学社会科学版）》2016年第3期153-157,共5页Journal of Northeast Normal University(Philosophy and Social Science Edition)

基　　金：国家社会科学基金青年项目(13CWW028)

摘　　要：纳博科夫作品中的流亡意识表现在他对时间的感悟。作品中对于语辞的驾轻就熟的幻化表达将时间进行了"艺术再造",并由此来寻求心灵慰藉。与此同时,传统的道德观念在《洛丽塔》中也面临着巨大挑战。在他的作品中,文学传承的思想消失了,代替它的是小说的真实与审美,由此展现了纳博科夫作品中跨越道德界限的艺术观。本文将从道德判断和流亡意识两方面为切入点来分析纳博科夫在时间阈限中的艺术创作。The sense of alienation embodies Nabokov＇s understanding of time.His fiction displays the writer＇s magic of word-and-image play that entertains a dazzling delight for readers as well as the artistic rebuild of time for his works.Through this unique writing-style,Nabokov seeks his inner consolation.Meanwhile,the traditional moral value is also challenged in the novel Lolita.The literary inheritance is brilliantly replaced by its affirmation of the abiding beauty and truth inherent in the novel.Therefore,Nabokov expresses his belief in art by isolating from morality.This paper is intended to analyze Nabokov＇s writing style from the perspective of alienation and moral judgment.

关 键 词：流亡意识 道德判断 

分 类 号：I106.4[文学—世界文学]