“以议论为诗”与理趣之境  

“Writing Poetry on Discourses”And Realm of Delight Ideas

作　　者：易闻晓[1] 

机构地区：[1]贵州师范大学文学院,贵州贵阳550001

出　　处：《贵州师范大学学报（社会科学版）》2016年第3期91-98,共8页Journal of Guizhou Normal University(Social Sciences)

基　　金：国家社科基金项目"中国古代诗法理论的现代阐释"(12BZW013)阶段性成果;贵州省省长基金项目"黔学研究与国学传播"(黔省专合字2010-133号)后续成果

摘　　要：诗主情景,但非排除议论。除咏史一体之外,诗中议论,固以情景为本,须带情韵以行,寓于物象之中。韩愈以文为诗,多有叙议,衍为宋人以迄晚清"以议论为诗"。议论就事论事,限于经验之域,而理趣即于形下物事,以见形上之理,具有审美性质,当许至高境界。The characteristics of poetry are mostly based on scenes including discourses. With the exception of poetry based in history, the rest are primarily based on scenes by finding sustenance in objects and with lasting appeal. Han Yu features linguistic prose to write poetry, which focuses more on narrations and discourses. Poets from the Song Dynasty till the late Qing Dynasty have also been influenced by him, with many of those poetries based mostly on discourses. Discourse is based on physical objects, but the idea of delight is based on the metaphysical ＂Dao＂ which possess aesthetic characteristics, and of the supreme realm.

关 键 词：议论 理趣 形下 形上 境界 

分 类 号：I206[文学—中国文学]