西方美学思潮对民国家具风格形成的渗透作用  

Penetration of Western Aesthetics Ideological Trend in the Formation of Furniture in the Period of Republic of China

作　　者：张小彤[1] 万辉[1] 

机构地区：[1]东北林业大学材料科学与工程学院,哈尔滨150040

出　　处：《家具》2016年第3期85-89,共5页Furniture

摘　　要：民国家具是中国古典家具与时俱进的重大标志,是我国没落古典家具史上的一个重要尾声。几十年的短暂变革,大幅度改变着中国传统家具的风格走向,承载了时代的文化记忆,形成一套独特的审美体系。西方设计关学思想改变了中国传统家具的制作设计体系,其所形成的民国家具为中国迈进现代家具奠定基础。As one of the important symbols of Chinese classical furniture advancing with times,the furniture in the period of the Republic of China is also a considerable epilogue in the decline history of the classical furniture,which accumulated a unique set of aesthetic system changing the style of Chinese traditional furniture greatly and bearing the cultural memories of the times based solely on several decades of transitory transformation.The western design aesthetics have changed the design system of Chinese traditional furniture.On this basis,the furniture formed in the period of the Republic of China laid the foundation for the China＇s modern furniture.

关 键 词：西方 民国家具 文化 

分 类 号：TS652[轻工技术与工程]