论利盖蒂作品中音高组织的微变奏技术  

On the Micro-Variation Technology of Pitch Organization in Ligeti's Works

作　　者：缪薇薇[1] 

机构地区：[1]上海音乐学院音乐戏剧系

出　　处：《乐府新声（沈阳音乐学院学报）》2016年第2期35-40,共6页The New Voice of Yue-Fu(Journal of the Shenyang Conservatory of Music)

摘　　要：本文主要是以利盖蒂作品中的音高组织方式作为研究对象。通过对《十首木管五重奏》,《第二弦乐四重奏》以及《钢琴练习曲》第六首的片段分析,对利盖蒂如何在横向音列,纵向和音,以及特定的旋律中运用音高微变奏这一音高发展思维进行了具体的讨论。通过对利盖蒂在音高组织细节上的研究以求能够从不同的侧面来了解利盖蒂的创作特征。Mainly targeting on the pitch organization method of Ligeti＇s works, this article dis- cusses the pitch organization application in horizontal tone row, vertical harmoni- ous tone and particular melodies through the analysis of six pieces such as ＂Ten Woodwind Quartets＂, ＂String Quartet No. 2＂ and ＂Piano Etude＂. By researching on the details of Ligeti＇s pitch organization, the author tries to understand the composer＇s creation features from various aspects.

关 键 词：利盖蒂 音高组织 微变奏 音级集合 

分 类 号：J614.1[艺术—音乐]