苗族古歌“数”的初探  

The research of mathematical culture in miao ancient songs

作　　者：夏金亮 肖绍菊[1] 岳莉[2] 

机构地区：[1]凯里学院数学科学学院 [2]凯里学院物理与电子工程学院,贵州凯里556011

出　　处：《原生态民族文化学刊》2016年第2期136-143,共8页Journal of Ethnic Culture

基　　金：国家社科基金项目"贵州传统村落民俗数学调查研究"(项目编号:14BMZ050);2012年贵州省基础教育科学研究;教育教学实验重点课题-苗侗数学文化的应用与教学研究(2012A090);2013年贵州省高等学校教学内容和课程体系改革重点项目"少数民族科技史知识引入大学课堂的实践与探索";2012年贵州省高等学校省级教学团队-民族数学文化与教育教学团队(黔教高发[2012]426号);凯里学院重点课题(Z1003)

摘　　要：从苗族古歌的歌词内容入手,对苗族古歌中出现的"数"进行整理研究,发现数字"一""二""三""五""七""九"在苗族古歌中频繁地出现,且每一个数字都包含着特定的文化意义,如:"一"的宇宙观,"三"的质变思维等;对苗族古歌中的数学文化与苗族生活的关联性进行分析,解读了数字在苗族风俗习惯中的含义;通过研究古歌,解析苗族语言中数量单位的演变和数学的四则运算。Based on the Miao Ethnic edited by Ma Xueliang and Jindan,this paper from the content of the Miao nationality’s ancient songs,organizes and probes into the＂number＂appeared in the Miao nationality’s ancient songs and mathematical culture.It can be found that the numbers＂one＂,＂two＂,＂three＂,＂five＂,＂seven＂and ＂nine＂are frequently appeared in the Miao nationality’s ancient songs in large quantities,and each number contains specific meaning,such as：＂one＂indicates cosmology,＂three＂represents the qualitative change of thinking,＂five＂and＂six＂are space symbols and so on;At the same time the author explores the mathematical culture of correlation between the Miao nationality’s mathematical culture and life,so as to interpret the meaning of some special ceremony of customs of the Miao people,such as the the Miao nationality’s ideas：＂three souls unified＂,＂three undying souls＂and＂three relatives＂;and through the ancient songs,researches the evolution of the unit of quantity in Miao language and the arithmetic reflected in the Miao nationality’s ancient songs.

关 键 词：苗族古歌 数字运用 数量与运算 

分 类 号：I207.9[文学—中国文学]