《大唐三藏取经诗话》中法师形象变异及原因分析  

On Master's Image Variation and Its Reasons in Poetry Talks of San Zang Going on a Pilgrimage for Buddhist Scriptures

作　　者：朱萍[1] 李畅[1] 

机构地区：[1]中国传媒大学中文系,北京100081

出　　处：《淮海工学院学报（人文社会科学版）》2016年第7期34-37,共4页Journal of Huaihai Institute of Technology(Humanities & Social Sciences Edition)

基　　金：国家社会科学基金项目(14BZW065)

摘　　要：阐述了《大唐三藏取经诗话》之前的玄奘书写,将宋代刊刻的《大唐三藏取经诗话》与唐代的《大慈恩寺三藏法师传》等传记相比,《大唐三藏取经诗话》中的法师形象产生了变异,包括法师身世神异化、法师能力弱化、法师性格变化。分析了法师形象趋向世俗化和神异化的原因,认为主要是受佛教世俗化、《大唐三藏取经诗话》的民间文学性质及诗话体文学诙谐传统的影响。This paper elaborates on Xuanzang＇s writing before Poetry Talks of San Zang Going on a Pil- grimage for Buddhist Scriptures, and compares Poetry Talks of Tang Priest Going on a Pilgrimage for Buddhist Scriptures in the Song Dynasty with various biographies like San Zang Master＇s biography in Cien Temple. It is found that the master＇s image in Poetry Talks of San Zang Going on a Pilgrimage for Buddhist Scriptures has transformed, namely, God alienation of master ＇s life experience, weakening abil- ity of master, and master＇s personality changes. Then it also analyzes the reasons of God secularization and alienation of master＇s image, and concludes that it is mainly due to the impact of secularization of Buddhism, folk literary nature and humorous tradition of poetry talks literature.

关 键 词：《大唐三藏取经诗话》 法师形象 变异 唐僧 佛教 话本 

分 类 号：I207.414[文学—中国文学]