论张竹坡小说评点的八股思维及其得失  

On the Influence of the Eight-legged Essays on Zhang Zhupo's Novel Critique

作　　者：陈才训[1] 

机构地区：[1]黑龙江大学文学院,黑龙江哈尔滨150080

出　　处：《吉林师范大学学报（人文社会科学版）》2016年第3期23-27,共5页Journal Of Jilin Normal University:Humanities & Social Science Edition

基　　金：国家社科基金项目"明清小说文本形态生成与演变研究"(编号:11CZW042);黑龙江省高校青年学术骨干支持计划项目(编号:1253G045)

摘　　要：八股文是张竹坡小说评点的主要理论资源,他认为《金瓶梅》在情节安排上借鉴了八股文"股法"中的对称原则;他还以八股之"起承转合""钓钩渡挽""草蛇灰线法"来分析小说情节的衔接与照应;他借用八股文代言理论提出了"情理说",用以分析人物形象;并以八股"主脑"的统摄功能来分析小说主旨的创设。张竹坡完全摒弃了以往重道轻文的小说批评倾向,注重探讨小说的艺术形式技巧,使小说评点向文学批评靠近,但其评点文字却缺乏独立的理论品格。The eight-legged essay was the main theoretical resources of Zhang Zhupo＇s fiction criticism.He believed that the symmetry principle of the eight-legged essays was used in the plot arrangement of GoldenLotus. He also analyzed the novel with writing techniques of the eight-legged essays, and completely abandoned the previous novel criticism tendency. He paid attention to the study of the artistic forms of the noveltechniques, and made his criticism of the novel was more literary, but its criticism lacks the independent theoretical character.

关 键 词：张竹坡 小说评点 八股思维 得失 

分 类 号：I06[文学—文学理论]