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作 者:苏君礼[1]
机构地区:[1]河北科技师范学院文法学院,河北秦皇岛066004
出 处:《吉林师范大学学报(人文社会科学版)》2016年第3期28-34,共7页Journal Of Jilin Normal University:Humanities & Social Science Edition
摘 要:中国城镇化率到2013年底达到了53.7%,尽管这里真正意义上的城镇人口只有36%,但是无疑标志着中国城镇化进程的节奏正在不断加快。与此同时,贫困的世袭与阶层固化、利益固化现象并存,农民由底层转化上升为"市民"的通道依然受阻。在这样的语境下探讨中国新诗如何"现代",怎样新诗,无疑十分必要和及时。因为现代化步伐的加快,正为诗人的发现与表达,提供着丰富的创作素材和题材,也提供着难得的机遇与挑战,使人们对文学、对诗的理解和诠释,既有所改变,也有所修正,更有所补充。用"乡村"与"城市"间的游走来概括当下诗的总体状貌是准确恰当的。The coverage of China’s urbanization had reached 53.7% by the end of 2013, which marks thespeeding of the urbanization in our country, though urban population, in the true sense of the words, occupiesonly 36% of the total. Meanwhile, the impoverished hereditary, stratum and interest solidification are coexisting, which impedes farmers’conversion to the townspeople. Under such circumstances, it is necessary and urgent for us to discuss how the Chinese neo-poetry becomes "modern" and "new". With the speeding of the modernization, poets are endowed with opportunities and challenges to find and express ample materials andthemes, which changes, improves and replenishes people’s understanding and interpreting of the literature andpoetry. The commuting between rural and urban areas is the accurate description of the modern poetry in China.
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