庐隐、丁玲日记体小说创作的两极探索与意义  

The exploration and significance of the diary-style novels by Lu Yin and Ding Ling

作　　者：袁倩[1] 

机构地区：[1]郑州大学文学院,郑州450001

出　　处：《闽西职业技术学院学报》2016年第2期51-54,共4页Journal of Minxi Vocational and Technical College

摘　　要：在个性解放和个人意识觉醒的五四时期,日记体小说创作大放异彩,并成为备受作家和读者青睐的一种文学体式。其中,庐隐、丁玲的日记体小说创作堪当具有丰富代表性的两极典型,前者的哀伤书写和后者的激切直白式书写体现了不同的写作指向。女性日记体小说作为五四文学的一种独特的文体和性别担当,无疑具有耐人寻味的时代意义:它以日记体的"自我言说性",以个人诉说的文本主体形态,使内心隐秘与潜在欲求的书写成为一个时代的文学主题。In the May Fourth period, when personality liberation and individual consciousness awakened, the diary-style novels shone brightly, and became a literary style popular among writers and readers. The diary-style novels by Lu Yin and Ding Ling are representative,with different features. The former＇s grief writing style and the latter＇s impassioned and straightforward writing style reflect different writing directions. As a unique style of the May Fourth literature and gender meaning, female diary-style novel undoubtedly has historical significance： it makes the writing on inner secret and potential desire as a literary theme of the times, in the diary-style of ＂self-speech＂ and the text form of personal talk.

关 键 词：日记体小说 庐隐 丁玲 两极探索 

分 类 号：I207.42[文学—中国文学]