论展品:博物馆场域下的知识生产与性别表征  

Exhibits:Knowledge Production and Gender Representation in the Field of Museum

作　　者：傅美蓉[1] 

机构地区：[1]咸阳师范学院文学与传播学院,陕西咸阳712000

出　　处：《吉首大学学报（社会科学版）》2016年第4期86-91,共6页Journal of Jishou University(Social Sciences)

基　　金：国家社会科学基金项目(15BZW033);教育部人文社会科学研究青年基金项目(13YJCZH040);陕西省教育厅科学研究计划项目(2013JK0240);咸阳师范学院科研基金项目(12XSYK002)

摘　　要：博物馆既是生产知识的文化机构,又是形塑主体的文化场域,知识的生产与主体的形塑均受制于菲勒斯中心主义。展品意义的生产是以菲勒斯文化为中心的知识生产过程。从物品、意义单元、图示化观相、表征的客体等四个层次来考察展品符号的意指实践与性别表征,可在文艺美学领域内推进博物馆研究与性别研究的缝合。通过揭橥展品符号所隐藏的菲勒斯中心主义"迷思",肯定妇女主题博物馆的文化价值和意义,重构公共文化空间,可为中国性别研究的本土化提供思路和启示。Museum is a cultural institution to produceknowledge as well as a cultural field to shape subject.However,knowledge production and subject shaping are restricted by Phallus Centrism.The meaning production of the exhibits is a process of knowledge production of Phallus Centrism.Examination of exhibits,meaning units,schematized aspects,and represented objects may promote the connection between museum research and gender research in the field of aesthetics of literature and art.By revealing Phallus Centrism hidden behind exhibition signs,affirming the cultural value and significance of women-subjected museums,and reconstructing public cultural space as well,enlightenment may be found in the research of the localization of gender research in China.

关 键 词：展品 社会性别 菲勒斯中心主义 表征 博物馆 

分 类 号：I0[文学—文学理论]