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作 者:林红[1]
出 处:《湘潭大学学报(哲学社会科学版)》2016年第4期104-108,共5页Journal of Xiangtan University:Philosophy And Social Sciences
基 金:国家社会科学基金项目"日本新华侨华人文学三十年"(项目编号:13BZW135)的阶段性成果
摘 要:日本新华侨女作家陈永和以"女扮男装"的"我"叙述历史,通过"身体"书写特殊时期底层人物的命运,审视身体与身份、权力、性的重重纠葛,特别是揭示了从性虐到享虐的女性悲剧。不同于往常灵魂深处闹革命的《一九七九年纪事》,以身体性忏悔的冷静,对当今社会具有现代性意义的问题进行深入探讨。可以说这是日本华文文学对中国文学所奉献的一点"收获"。Woman writer and new oversea Chinese in Japan Chen Yonghe tells the story in the tone of a male"I". Starting from the"body",she depicts the fate of those deprived in a special historical period,pondering the entanglement of body,identity,power and sexuality. Her story is a female tragedy from sexual abuse to masochistic pleasure. Different from those radical revolutionary accounts of that time,the body and sexual confessions in Chronicle of 1979 is remarkably cool- headed,and contains in- depth enquiries into modernity issues which are of great significance to contemporary society. Chen's writings can be regarded as precious"harvest"of oversea Chinese in Japan literature to Chinese literature.
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