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作 者:蒋虹[1]
机构地区:[1]北京师范大学外文学院
出 处:《俄罗斯文艺》2016年第3期126-133,共8页Russian Literature & Arts
基 金:国家社会科学基金项目"英国现代主义文学中的俄罗斯影响"阶段性成果;项目号09BWW020
摘 要:佳吉列夫俄罗斯芭蕾舞团在20世纪早期的西欧和北美经历了辉煌时代。对英国知识界来说,它的出现不仅带来活力和灵感,也使他们面临尴尬和矛盾。本文将以此作为切入点,回顾以弗吉尼亚·伍尔夫为代表的英国知识界或知识分子对佳吉列夫的俄罗斯芭蕾及其舞蹈演员的反应和评价,揭示其背后的意义,从而阐述俄罗斯芭蕾在20世纪早期对英国现代主义文学的孕育和发展所发挥的重要导向作用。Diaghilev' s Balles Russes had its heyday in West Europe and North America in the early 20th century. Its emergence not only gave vitality and inspiration to British intelligentsia, but also confronted them with dilemmas. This paper attempts to trace back to its age and discuss how British intelligentsia, as represented by Virginia Woolf, D.H. Lawrence and other artists and writers, responded, favorably or otherwise, to Russian Ballet and its dancers. In revealing the significance of this event, it intends to illustrate the great impact that Russian Ballet had on the formation and the development of British modernist literature in the early 20th century.
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