爱的异托邦——张爱玲的《爱》论析  

The Heterotopies of Love:Reading Eileen Chang's Love

作　　者：王毅[1] 

机构地区：[1]华中科技大学中文系,湖北武汉430074

出　　处：《华中师范大学学报（人文社会科学版）》2016年第4期99-106,共8页Journal of Central China Normal University:Humanities and Social Sciences

摘　　要：以文学空间学视角细读故事文本,可以发现在《爱》的故事文本中,并不熟悉中国乡村的张爱玲巧妙地借用了传统文学尤其是诗词资源,利用古今依然相通的文学想象共同体,构建出现代乡村情感空间,实现了从时间到空间的转换。其中的叙述采用了她偏爱的参差对照手法,也蕴含了她一贯的价值取向,即在乱世中对人生安稳与和谐的追求。从文学空间学意义上看,《爱》这个故事既是博尔赫斯笔下的阿莱夫那样聚集了空间中所有点的一个点,是后来福柯意义上的异托邦,也是浓缩了张爱玲写作技艺的一个点。所以,张爱玲关于"爱"的体认与书写,既不真实但也并非虚假,而是处于真实与虚构之外的第三空间。这可能恰恰是张爱玲《爱》的真正价值以及这个短小的故事如此受读者喜爱的真正原因。If we use the perspective of spatial studies of literature to closely read the text of story,we will find that in Love,Eileen Chang cleverly borrowed traditional literature resources,especially classical poetry and ci,and using the imagined community built by the communication part of ancient and modern literature,she constructed a modern country emotional space to achieve the transition from time to space.The narrative method of Love is using Eileen Chang＇s favorite writing technique：uneven comparison,containing her usual value orientation to pursuit stable and harmony life style in the troubled times.In significance of spatial studies of literature,the story of Love,not only like El Aleph of Borges,gathering all points in space to one point,which Foucault named heterotopies,but also concentrates Eileen Chang＇s writing skills to a point.So,the awareness and writing of＂Love＂in Eileen Chang＇s mind,are neither true nor false,but in the Thirdspace outside of truth and fiction.This may be the true value of Eileen Chang＇s＂Love＂and the real reason why this short story so loved by readers.

关 键 词：张爱玲 《爱》 参差的对照 第三空间 异托邦 

分 类 号：I207.42[文学—中国文学]