曹禺1930年代现实主义创作中的诗性融合  

Study on the Poetic Integration in the Realism Creation of Cao Yu in the 1930s

作　　者：宋宇[1] 

机构地区：[1]南开大学文学院,天津300071

出　　处：《河北大学学报（哲学社会科学版）》2016年第4期77-82,共6页Journal of Hebei University(Philosophy and Social Science)

摘　　要：曹禺于20世纪30年代的现实主义创作中存在现代主义的元素,表现为对经验主义和表现主义两种西方美学思想的借鉴。这种借鉴是以曹禺的诗人气质和中国文化的诗性品格为基础的,剧作呈现为对20世纪30年代中国文化形态的一种缩影。与此同时,其"诗化现实主义"风格的形成,既是西方现代主义思潮在中国诗学文化传统中的内化,也是中国现代话剧从20世纪20年代的表现主义到40年代的现实主义审美范式转型中的过渡,在整个现代文学史和中国现代话剧史中有其特别的意义。The modernism of Cao Yu＇s plays created in 1930 sshows his reference and learning on two kinds of western aesthetic ideology＂empiricism＂and＂expressionism＂.This is based on his poetic temperament and poetic character contained in Chinese culture.The plays present the epitome of culture type in the 1930 s.Meantime,the formation of his realism of poetization is not only the internalization of western modernism in China＇s cultural tradition of poetry,but also a transitional product of Chinese modern drama from expressionism in the 1920 sto realism in the 1940 s,which has special significance to the history of modern Chinese literature and modern Chinese theatre.

关 键 词：曹禺1930年代剧作 表现主义 经验主义 诗化现实主义 

分 类 号：I246[文学—中国文学]