汉代漆器包装与化妆品“后”包装设计的审美分析  

The Aesthetic Analysis of Han Dynasty Lacquer and the Cosmetic " Whoo " Packaging Design

作　　者：傅兴[1,2] 董雅[1] 

机构地区：[1]天津大学,天津300072 [2]天津职业技术师范大学,天津300222

出　　处：《包装工程》2016年第16期149-152,共4页Packaging Engineering

摘　　要：目的研究传统漆器包装与现代化妆品包装在精神和审美方面的联系与传承。方法分析传统漆器和现代化妆品"后"包装设计在精神与审美等多层面之间的联系。结果传统漆器包装与现代化妆品包装有着诸多的审美趋同性,可以为现代化妆品包装设计提供借鉴。结论从传统文化中汲取养分,针对特定品牌与目标人群展开设计,是提升现代化妆品包装水平的关键。It aims to study of traditional lacquer packaging and modem cosmetics packaging in the spirit and aesthetic as- pects of contact and inheritance. Through the analysis of the traditional lacquer and modem cosmetics ＂Whoo＂ packaging design between the spirit and aesthetic level between the links, it explores how to in modem cosmetics packaging design distinctive traditional culture characteristics. Traditional lacquer packaging with modem cosmetics packaging design has many aesthetic homoplasy, can provide a very rich soil for the modem cosmetics packaging design. Putting forward from the traditional culture of nutrition, for a specific brand and target population design, is the key to improve the modem cosmetics packaging.

关 键 词：汉代漆器包装 化妆品“后”包装 内在精神 审美追求 

分 类 号：TB472[一般工业技术—工业设计]