近代图像印刷资本主义——以《点石斋画报》插页画为中心的考察  

作　　者：唐宏峰[1] 

机构地区：[1]北京师范大学艺术与传媒学院

出　　处：《文化研究》2016年第2期251-271,共21页Cultural Studies

基　　金：国家社科基金艺术学项目“近代中国视觉文化研究”(10CC077);中央高校基本科研业务费专项资金资助项目(SKZZX2013084)的阶段性成果

摘　　要：《点石斋画报》插页画与其中的“卧游图”系列，长久以来一直被学界所忽视。本文以点石斋插页画为中心来考察晚清绘画与图像的机械复制和公共传播，分析照相石印技术带来的图像印刷的新特点与绘画形态的新变，指出新技术使得图像实现广泛传播，由此形成一种公共性的视觉空间与共同体感受。本文提出一种“图像印刷资本主义”，将图像纳入近代性印刷文化的研究中，思考机械复制和公共传播这两个近代印刷文化的根本特性对晚清绘画史和图像文化产生的意义。The editors of Dianshizhai Pictorial inserted one or two printed Chinese paintings into the journal every issue along with the regular news pictures. Dianshizhai Pictorial accumulated huge amount of inserted Chinese paintings, while scholars ignored these pictures for long. This essay makes a survey of these pictures and shows how the pictures, both fine and vernacular, were mechanical reproduced and publicly circulated in late Qing China This study also analyses what new characteristics photolithography brought to image printing and Chinese painting. The mechanical reproduction and public circulation of pictures suggested a pictorial print capitalism in late Qing China that helped cultivating a visual public space and community

关 键 词：印刷资本主义 《点石斋画报》 机械复制 再媒介 视觉性 公共空间 

分 类 号：J218.5[艺术—美术]