关良戏剧人物画画风成因初探  

The Exploration of Painting Style Formation of Guan Liang's Drama Figure Painting

作　　者：黄婧怡[1] 

机构地区：[1]三门峡职业技术学院师范学院,河南三门峡472000

出　　处：《洛阳师范学院学报》2016年第6期91-93,共3页Journal of Luoyang Normal University

摘　　要：关良是中国现代人物画史上极具开拓性的人物画大家,其在戏剧人物画方面的探索与创新具有典范意义。从题材选择、构思、构图、笔墨等方面探讨关良戏剧人物画的画风,可以更好地理解其画风成因,并对关良戏剧人物画画派的流向进行合情推断。Guan Liang is a pioneer painter in the history of contemporary Chinese figure painting. His exploration and innovation in the field of Chinese opera figure painting is very significant. This paper discusses the painting style of Guan Liang＇s drama figure painting from the theme selection,conception,composition,ink using and etc.This paper also focuses on the formation of Guan Liang＇s painting style as well as the development tendency of his drama figure painting.

关 键 词：人物画 戏剧 稚拙 动感 

分 类 号：J212[艺术—美术]