从李白到杜甫:中国诗歌抒情向叙事转换的开端  

From Li Bai to Du Fu: the Transformation of Chinese Poetry from Emotional Expression to Narration

作　　者：杨景龙[1] 

机构地区：[1]安阳师范学院文学院,河南安阳455000

出　　处：《河北学刊》2016年第5期96-102,共7页Hebei Academic Journal

基　　金：2015年度国家社会科学基金项目<中国诗歌抒情与叙事关系研究>(15BZW050);2014年度河南省高等学校哲学社会科学优秀学者项目<中国诗歌抒情与叙事互动转换研究>

摘　　要：在中国诗歌发展史上,存在着一种规律性现象:当一个时代的诗歌抒情性达到饱满的程度而难以为继时,后起的诗人总要转向叙事写实。李白之后的杜甫,盛唐诗歌之后的中唐诗歌,唐诗之后的宋诗,宋词之后的元散曲,都是如此。与抒情向叙事转换相伴生的,是诗歌风貌发生的重大变化。There is a regular phenomenon in the development history of Chinese poetry. When the lyricism of poem reaches a high extent,the newcomer poet could difficult to continue and would turn to thenarrative. Such as,Du Fu,who is after of Li Bai. Zhong Tang poem,which is after of Sheng Tang. Poems of Song dynasty,which is after of poems of Tang dynasty. Yuan Qu,which is after of Song Ci. They are all the same. With the conversion between the expressing and the narrative,there is a significant change in poem style.

关 键 词：中国诗歌 抒情 叙事 转换 规律 

分 类 号：I207.209[文学—中国文学]