透视革命历史的新方法——重评黎汝清“悲剧三部曲”  

Li Ruqing's “Tragedy Trilogy”Reinterpreted

作　　者：徐文泰 金宏宇[1] 

机构地区：[1]武汉大学文学院,湖北武汉430072

出　　处：《海南师范大学学报（社会科学版）》2016年第6期25-31,共7页Journal of Hainan Normal University(Social Sciences)

摘　　要：黎汝清的"悲剧三部曲"体现了革命历史小说创作的新变。在历史人物的创造上,他不仅描画了悲剧漩涡中领袖、群众的阿喀琉斯之踵,更透过历史地表挖掘了潜藏在人物背后的深层文化性格。在历史本相的展现中,他放弃单线、禁锢的锁闭式结构,洞察国共、中外以及不同民族之间的兴衰,着重还原了隐匿在历史必然性光环下具有实质意义的偶然事件。在历史评判上,他坚持把历史的内容还给历史,以理解之同情的态度多元透视革命历程,力图超越革命/反革命,正义/非正义的定势思维,形成了透视革命历史的新方法。The tragedy trilogy by Li Ruqing marks new changes in novels of revolutionary history. In the delineation of historical figures,he not only depicts the defects of leaders and common people amidst tragedy but also highlights the profound cultural personality of figures by delving into history. In the revelation of historical truths,he focuses on restoring the important contingency disguised beneath historical inevitability by giving up the linear and closed structure and having an insight into vicissitudes between Kuomintang and the Communist Party of China,at home and abroad as well as between different ethnic groups. As for historical judgments,he adheres to replenishing history with contents and to scrutinizing the revolutionary course in a polybasic,compassionate and understandable manner so as to transcend the mindset of revolution and counter-revolution,justice and injustice,thus forming new approaches to the interpretation of revolutionary history.

关 键 词：黎汝清 “悲剧三部曲” 悲剧 历史人物 历史本相 历史评价 

分 类 号：I207.4[文学—中国文学]