近代中国民间美术发展态势思考  

An Investigation on the Development of Modern Chinese Folk Arts

作　　者：张慎成[1] 

机构地区：[1]安徽工程大学艺术学院,安徽芜湖241000

出　　处：《贵州大学学报（艺术版）》2016年第3期86-90,91,共6页Journal of Guizhou University Art Edition

基　　金：安徽省教育厅人文社会科学重点项目"民间手工艺品的当代价值研究"(项目编号:AHSK-08D104)

摘　　要：近代民间美术的发展存在两种基本态势,一种是与农耕文明的生产方式和价值观念相匹配的原生形态的衰落,另一种是适应当代工业文明进程,并随着社会主流价值的变更而呈现的蜕变形态的产生。从社会文化发展的层面来看,两种态势呈现的仅仅是传统农耕文明与工业文明之间的阶段性对立,而并非文化价值取向的完全终结。放眼当下,工业文明"高科技"的背后,同样需要"高情感"的文化价值补充。在此种趋势下,"手工定制文化"建设将被提升为涉及社会生产及文化结构合理性方面重大社会实践课题。这也预示了"民间美术"发展的新的生机。There are two main trends for modern Chinese folk arts ： one is the decline of its primitive form that cor- responded to the production mode and value concepts in agricultural civilization , and the other is transformation adap- ting to the industrial civilization with the changes in mainstream values. From the perspective of social and cultural de- velopment, what these two trends display is not a definite termination of cultural value orientation but a temporary oppo- sition. Behind the ＂high-tech＂ of industrial civilization, it also needs to be complemented with the ＂high-emotion＂ of cultural values. In this trend, the construction of ＂hand-made customized culture＂ will be promoted as an issue of im- portant social practice related to social production and a rational cultural structure and it will also indicate a new life for ＂folk arts＂.

关 键 词：民间美术 衰落 蜕变 态势 手工定制 

分 类 号：J193[艺术—艺术理论]