岛国意识的回归与帝国怀旧情结——品特戏剧中的封闭式空间解读  

The Island Consciousness and Imperial Nostalgia: An Interpretation of the Confined Spaces in Harold Pinter's Plays

作　　者：刘明录[1] 

机构地区：[1]广西师范大学

出　　处：《当代外国文学》2016年第3期132-139,共8页Contemporary Foreign Literature

基　　金：2013年国家社科基金项目<接受美学视域下的品特戏剧研究>(13BWW049)的阶段性研究成果

摘　　要：在哈罗德·品特的戏剧中,房间是极为引人关注的空间意象,其形式多样,通常都是门窗紧闭,进出的通道被内外之人所切断,被作为舞台空间或是隐喻空间进行解读,其实品特戏剧中存在着至少两种封闭空间,不仅包括房间,也包括人们的心理意识,它们既是英国作为岛国的地理隐喻,也反映了英国国家地位的变化,是英国国民怀旧情结的心理投射,隐喻着帝国坍塌后国民的精神存在,也彰显了品特对于国民岛国意识的嘲讽及对国家命运的忧思。As the most conspicuous spatial imagery in Harold Pinter＇s plays, rooms usually appear with closed doors or windows and isolated passageways, therefore are often interpreted as metaphorical spaces. This paper argues that both the literal enclosed spaces in Pinter＇s plays and people＇s psychological spaces within point to Great Britain as an island country and reflect the change in its nationhood. These spaces symbolize British people＇s imperial nostalgia and embody Pinter＇s irony on such island consciousness as well as his worries over the destiny of his country.

关 键 词：品特 封闭空间 帝国怀旧 岛国意识 

分 类 号：I561.073[文学—其他各国文学]