李渔“重机趣”的理论、实践及其影响  

On Li Yu's Drama Theory of “Smart Trick” and Its Practice and Influence

作　　者：李雪[1] 

机构地区：[1]南京师范大学文学院,江苏南京210097

出　　处：《南京师范大学文学院学报》2016年第3期55-59,共5页Journal of School of Chinese Language and Culture Nanjing Normal University

摘　　要：李渔"重机趣"的戏曲理论在内涵上包括自然机巧的结构构思和生动风趣的语言艺术等因素,《笠翁十种曲》分别从构思的创新性、严整性,语言的通俗浅显、幽默诙谐,以及巧合、误会、对比、夸张等技巧的独到运用等方面,实践了"重机趣"的理论主张。"重机趣"理论对后世的中国古典戏曲理论的发展产生了一定的影响,但由于客观的社会文化背景和戏曲政策的差异,这一理论没能很好地发挥其指导戏曲实践的作用。Li Yu＇s dramatic theory of ＂smart trick＂ includes naturally smart structure, vivid and humor- ous language skills and so on. His Ten Plays reflects this theory from aspects of novelty and tightness of con- ception, popular and humorous language, unique application of techniques of coincidence, misunderstanding, contrast and exaggeration, etc. This theory has certain impact on the later development of Chinese ancient dra-ma theory. However, due to the objective social and cultural background, it has not play its role very well in directing the drama practice.

关 键 词：李渔 重机趣 《笠翁十种曲》 

分 类 号：I207.309[文学—中国文学]