莫扎特晚期钢琴协奏曲与弦乐四重奏之展开部的研究与分析  

Analysis of the Compositional Style of Mozart's Late Piano Concertos and String Quartets

作　　者：张希[1] 

机构地区：[1]上海师范大学音乐学院钢琴系

出　　处：《浙江艺术职业学院学报》2016年第2期60-66,共7页Journal of Zhejiang Vocational Academy of Art

摘　　要：莫扎特的钢琴协奏曲K.537和K.595与弦乐四重奏K.575和K.589是其晚年重要的器乐作品。在这四首作品中,特别是在它们的展开部中,莫扎特在调性、和声及织体的写作运用中继承并发展变革了前人及莫扎特本人早期的一些创作手法,展示了鲜明的晚期风格。Mozart＇s Piano Concertos K. 537 and K. 595 and String Quartets K. 575 and K. 589 are his important late works. In these works,especially in their development sections,Mozart inherited some compositional style from his and other composer＇s earlier works,and also used many new ideas and techniques in these compositions.These compositions show many characteristics of Mozart＇s late style.

关 键 词：莫扎特 晚期创作 钢琴协奏曲 弦乐四重奏 

分 类 号：J624.1[艺术—音乐]