网络漫画的“后现代”书写与催眠美学  

Post-modern Writing and Hypnosis Aesthetics of Web Comics

作　　者：郑晓慧[1] 高盟[1] 孟旭[1] 

机构地区：[1]北京邮电大学数字媒体与设计艺术学院,北京100876

出　　处：《北京邮电大学学报（社会科学版）》2016年第4期13-17,34,共6页Journal of Beijing University of Posts and Telecommunications(Social Sciences Edition)

基　　金：网络系统与网络文化北京市重点实验室(北京邮电大学)主任基金项目(NSNC-2015A03)

摘　　要：网络漫画作为一种新兴的网络艺术,较之于传统漫画严肃的社会功能,更关注于个人情感的表达,具有反深度、重感官和大众参与的后现代特质。在新媒体时代背景下,网络漫画从实践和审美两个维度对以传统漫画为代表的主流文化进行了催眠,以此来彰显其后现代的美学精神。As an emerging network art, compared with the traditional comics with serious social function, web comics is more concerned with the expression of personal emotion. For its anti depth, and focusing on senses and public participation, it is endowed with the post-modern characteristics. In the context of the new media era, web comics, from the two dimensions of practice and aesthetics, has hypnotized on the traditional comics as the representative of the mainstream culture, in order to show the post-modern aesthetic spirit.

关 键 词：网络漫画 后现代 去正当化 催眠美学 

分 类 号：J05[艺术—艺术理论]