论评点者对明清小说文本形态的影响  

Influence of Commentaries and Annotations on the Form of the Novels in Ming and Qing Dynasties

作　　者：陈才训[1] 

机构地区：[1]黑龙江大学文学院

出　　处：《南京师大学报（社会科学版）》2016年第5期136-144,共9页Journal of Nanjing Normal University(Social Science Edition)

基　　金：国家社科基金项目"明清小说文本形态的生成与演变研究"(11CZW042);黑龙江省高校青年学术骨干支持计划项目(1253G045)的阶段成果

摘　　要：明清时期,在同一部小说的不同版本中,某些批点文字时常被转化成情节文字,由此小说文本形态也随之演变。明清小说评点者融评、改于一体的批评特色,使他们在事实上成为小说的"第二作者",他们通过对小说文本的增删改易而与作者一起左右着小说文本形态的生成与演变。眉批、夹批、旁批、圈点等评点形态皆依附于小说情节文字,缺乏独立的文本价值;而其他出于评点者之手的种类繁杂、名目不一的附录也有赖于小说文本而得以传播,显然这些"副文本"已成为明清小说文本形态的构成要素。During the Ming and Qing dynasties,in different versions of the same story,some commentaries and annotations offered by the critics on the margins of previous texts were often converted into an organic part of the body of the text in the following versions. Therefore,the text of the novel usually underwent some changes. The literary critics in the Ming and Qing dynasties,whose criticism was characterized by the combination of commentary and re-wording,actually assumed the role of ＂second author＂. ＂The second authors＂,collaborating with the original authors,determined the form and evolution of the novels through addition,deletion,re-wording and adaptation. However,the annotations and comments they made on the margins of the different copies of the text all depend parasitically on the body of the text,lacking independent textual value. Other paratexts like appendices,though being important components influencing the forms of the novels in the Ming and Qing dynasties,also rely on the body text to spread.

关 键 词：评点者 文本形态 生成与演变 

分 类 号：I207.41[文学—中国文学]