詹姆逊的第三世界文学理论及其反思  

Reflections on Frederic Jameson's Third-world Literature Theory

作　　者：黄宗喜[1] 占凯[1] 

机构地区：[1]湘潭大学文学与新闻学院,湖南湘潭411105

出　　处：《湘潭大学学报（哲学社会科学版）》2016年第5期113-116,共4页Journal of Xiangtan University:Philosophy And Social Sciences

基　　金：教育部人文社会科学青年基金项目"批评的踪迹:弗雷德里克.詹姆逊与中国"(项目编号:13YJC751017)阶段性成果;湖南省社会科学基金"西方后现代理论的反思:以詹姆逊为中心"(项目编号:14YBA362)阶段性成果

摘　　要：后现代马克思主义者詹姆逊对民族独立运动时期与跨国资本主义时代中的第三世界文学进行了系统深刻的阐释。詹姆逊的第三世界文学理论主要体现在对"民族寓言"内涵的阐述,包括公与私的关系、寓言的表现力量和文化知识分子的作用三大方面。詹姆逊关注第三世界文学,既有建立"世界文学"的需要,也有立足自身文化的立场对美国文化的批判。詹姆逊的第三世界文学理论能激发亚非拉国家的民族自觉,同时又带有鲜明的西方中心论立场。Frederic Jameson,a post- modern Marxist,has elaborated on the third- world literature of the national independence movement period and the transnational capitalism age. Jameson＇s third- world literature theory mainly focuses on the interpretation of the connotations of ＂national fables＂,including the relationship between the public and private,the representation power of fable and the effect of intellectuals. The reasons why Jameson concerns about the third- world literature result from the need to establish＂world literature＂and his criticism of American culture from the standpoint of his own cultural background. Jameson＇s third world literature theory can arouse the national self- consciousness of Asian,African and Latin American countries,meanwhile its standpoint is obviously West- centered.

关 键 词：詹姆逊 第三世界文学理论 民族寓言 

分 类 号：I0-02[文学—文学理论]