唐代诗学“兴”范畴体系研究之一——关于“兴”范畴的溯源  

Research Series No.1: On “Xing” Categorical System of Tang Dynasty Poetics——On the Origin of “Xing” Theory in Tang Dynasty

作　　者：王抒凡[1,2] 

机构地区：[1]云南大学中国语言文学博士后流动站,云南昆明650091 [2]昆明理工大学国际学院,云南昆明650091

出　　处：《广州大学学报（社会科学版）》2016年第9期77-84,共8页Journal of Guangzhou University:Social Science Edition

摘　　要：将唐代"兴"作为一个诗学范畴,对它的几个基本内涵即"讽喻美刺"的社会现实价值、"言有尽意无穷"的审美价值及"比兴"艺术等进行了溯源。弄清了"兴"的社会现实价值与儒家诗教理论的关系,"兴"与古代比兴艺术思维、比兴艺术手法的关系,以及"兴"的审美价值与儒、道、释三家美学的关系。This paper focuses on the aesthetic value of “Xing” and the origin of “Bi-X in g” in the Tang Dynasty. As a poetic category of the Tang Dynasty, “Xing” basically meant the social value of “Metaphor and irony” and ufinite words with infinite meaning. This paper analyzes the relationship between the social value and the Confucian essence of “ Xing”,the relationship between the artistic thinking of “ Xing” and the ancient “ Bi-Xing” aes-thetic value and its artistic methods, and the relationship between the aesthetic value of ＂Xing＂ and the aesthetics of Confucianism, Taoism and Buddhism.

关 键 词：兴 比兴 兴寄 兴象 

分 类 号：I206.2[文学—中国文学]