“无为有处有还无”——论游走在哲学与文学间的“无”  

“If Non-being Turns into Being,Being Becomes Non-being”——On the “Nothing” between Literature and Philosophy

作　　者：李梦圆[1] Li Mengyuan

机构地区：[1]复旦大学中文系

出　　处：《理论界》2016年第9期89-95,共7页Theory Horizon

摘　　要："无"是文学与哲学的"通用性"质素,显示着文学与哲学的交融互渗。"无"在文学家的文学创作、文学作品、读者接受中占据重要地位,各类文学体裁都须有"无"的参与,"无"备众文论之神髓。"无"亦是中国传统哲学思想的重要组成部分,是其中最精妙和最具代表性的实质性成分之一。"无"游走在文学与哲学之间,启示着具有鲜活生命力和无限发展空间的"有"。＂Nothing＂ is the ＂universal＂ quality of literature and philosophy, and it is the reflection of the corresponding between literature and philosophy. ＂Nothing＂ leads an important role in the literary creation, literary works and readers＇ acceptance. ＂Nothing＂ participates in all kinds of literary genres. ＂Nothing＂ is the spirit of all literary theories. ＂Nothing＂ is also an important part of Chinese traditional philosophy, and it is one of the most exquisite and the most representative one. ＂Nothing＂ walks between literature and philosophy, and it is a revelation of the living and unlimited ＂Everything＂ .

关 键 词："无" 文学 哲学 

分 类 号：I206.2[文学—中国文学]