论明清通俗小说的“戏曲嵌入式结构”  

The "Drama-embedded Mode" of Popular Novels of the Ming and the Qing Dynasties

作　　者：李鹏飞[1] 

机构地区：[1]北京大学中文系

出　　处：《文艺理论研究》2016年第4期111-121,共11页Theoretical Studies in Literature and Art

摘　　要：所谓小说的"戏曲嵌入式结构"是指在小说情节或叙事层面嵌入戏曲的故事内容、戏文片段或其他戏曲因素,跟小说自身的情节、叙事或主题形成复杂的关联,同时造成特殊的美学效果。"戏曲嵌入式结构"既是小说的叙事技巧,也是小说的叙事结构。这一结构在中外小说史上屡见不鲜,明清通俗小说比较普遍地运用过这种结构,成为小说史上的重要现象,值得我们进行深入探讨。The ＂drama-embedded mode＂ of the novel refers to the insertion of drama stories, diction, and other elements into the plot or the narration of the novel. In this way, these dramatic elements can be connected with the plot, the narration, or the theme of the novel, thus creating a unique aesthetic effect. The ＂drama-inserted mode＂, which can be seen as one of the ＂layer structures＂, is not only the narrative method of the novel, just like analogy, intermingled plots and repeated relation, but also the narrative structure of the novel. This skill has been frequently usedin the the world history, of the novel. In ancient Chinese novels, it was generally used in the popular fiction of the Ming and the Qing dynasties, which is a vital phenomenon in the history of the novel and deserves more research.

关 键 词：明清通俗小说 戏曲嵌入式结构 戏中戏 类比 勾连 

分 类 号：I207.41[文学—中国文学]