历代屈原图像的人文寄托  

The Cultural Sustenance of Qu Yuan's Picture in Chinese Ancient History

作　　者：何继恒[1,2] 

机构地区：[1]苏州大学文学院,江苏苏州215123 [2]南通大学楚辞研究中心,江苏南通226019

出　　处：《南通大学学报（社会科学版）》2016年第5期52-57,共6页Journal of Nantong University:Social Sciences Edition

基　　金：国家社科基金重大项目(13&ZD112);国家社科基金青年项目(15CZW012);江苏省社科基金项目(13ZWC014)

摘　　要：屈原以其烁古震今的高尚人格及精彩卓绝的绚丽诗篇,为后世留下了宝贵的精神财富。其独特的气质形象和精神风格也成为历代画家反复摹写、描绘的对象。画家通过绘写屈原,表达了对先贤的崇敬与缅怀,同时也寄寓了自己的情志。历史中的屈原,在画家主观情感、时代风气和社会变迁的综合影响下,被有意识地塑造成具有某种人格特质的榜样,于图像中呈现出忠君爱国、独立不迁、怀才不遇的人文风貌。历代屈原图像带着不同时代的特征,千古流传,获得了永恒的人文生命价值。Qu Yuan impressed generations with his noble personality and fabulous poems, which transcended both time and space, and left abundantly precious cultural heritage. Qu＇s distinctive image and manner also made him a good object for artists to portray. By painting Qu Yuan, artists could elaborate their respect and commemoration to the sage and deliver their own emotions and aspirations. Influenced by the artists＇ subjective emotions, time morals and social changes,Qu was intentionally depicted as a role model, who was underappreciated, independent, loyal and patriotic. Qu ＇s portraits created in different times mirrored the respective features of different eras and attained the eternal cultural value when passed through the history.

关 键 词：屈原 图像 人文寄托 

分 类 号：I207.223[文学—中国文学] J211.25[艺术—美术]