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作 者:周流溪[1] Zhou Liuxi(School of Foreign Languages and Literatures, Beijing Normal University, Beijing 100875)
机构地区:[1]北京师范大学外国语言文学学院
出 处:《语言文化研究辑刊》2016年第1期121-137,共17页
摘 要:“境界”是汉语固有概念,但引申意义(系梵语visaya的对译)作为文化交流的产物,经过不断拓展而被广泛地运用于学术领域及日常、政治生活。本文主要从诗学中各种艺术境界的呈现和哲学中不同层级精神境界的修养角度,论述境界的创造与实现(体现),探讨其中的学术创新问题。"Phase" (lustrous state) is a concept in which Chinese old morphemes have been used to translate the Sanskrit term visaya and, by constant extension, this product of cultural intcrflow is widely applied to various academic fields and daily life as well as political life in China. This article mainly studies the creation and realization (embodiment) of phases, from the display of various kinds of artistic phases in poetics and the cultivation of different levels of mental phases in philosophy, and discusses the academic innovation involved in them.
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