移植与变异——由比亚兹莱看19世纪末至20世纪初的东西方艺术交流  

Transplantation and Variation: Research on Eastern-Western Art Exchange from Late 19th Century to Early 20th Century via Beardsley

作　　者：郭玛丽[1] 张睿峰[1] GUO Mali ZHANG Ruifeng(Military Economics Academy of PLA , Wuhan 430035, Chin)

机构地区：[1]中国人民解放军军事经济学院,武汉430035

出　　处：《北京印刷学院学报》2016年第5期49-50,共2页Journal of Beijing Institute of Graphic Communication

摘　　要：19世纪末至20世纪初是世界艺术变革的重大时期,短暂的"新艺术"运动对于近现代艺术的发展起着重要作用。探索其间东西方艺术交流,比亚兹莱是一个不可忽视的人物,东西方文化的移植与变异在他身上得到了充分的体现。他的创作汲取了东方元素,融合了西方特色,而后又反哺了东方艺术,他是当之无愧的东西方艺术交流的使者。It is an important period of world art reform from the end of 19th century to the beginning of 20th century, when the transient Art Nouveau plays an important role in the development of modern art. When looking into the eastern- western art exchange, Beardsley is a figure that cannot be ignored, because eastern-western cultural transplantation and variation is fully embodied in him. His works draw the oriental elements, integrate with the western characteristics, and then feed back into the oriental art. He is a well-deserved ＂ambassador＂for the eastern-western art exchange.

关 键 词：比亚兹莱 新艺术运动 浮世绘 东西方艺术 

分 类 号：J05[艺术—艺术理论]