论唐·德里罗小说的生态之殇与叙事拯救  

On the Destruction of Nature and Narrative Salvation in Don De Lillo's Novels

作　　者：康立新[1] 

机构地区：[1]河南科技大学外国语学院,河南洛阳471023

出　　处：《外语与外语教学》2016年第5期138-143,共6页Foreign Languages and Their Teaching

基　　金：2013年国家社科基金后期资助项目"从他者到自我--波伏瓦他者理论研究"(项目编号:13FWW002)的阶段性成果

摘　　要：唐·德里罗是美国当代文坛的杰出代表。他的小说往往能够全面而集中地反映美国当代社会的许多现实问题,因此其有"美国当代社会的复印机"之称。作为具有高度生态自觉意识的后现代作家,唐·德里罗在作品中对美国当代社会种种"非生态性"不断进行反思与叩问,探寻生态救赎之路。本文从生态之殇与叙事拯救两大维度入手,探讨其小说中所呈现的自然生态危机和城市生态危机,发掘作家隐藏于后现代叙事标签后的拯救策略与途径:自然审美、原始信仰与后现代解构。最后本文指出,这两大维度恰恰体现出唐·德里罗的差异性、开放性、动态性的整体生态批评观。As an outstanding representative of contemporary American literature,Don De Lillo's novels mainly deal with the social problems in modern America,so he is called 'the copier of modern American society '. As a postmodern writer with a high level of ecological awareness,he reflects and questions on various non-ecological phenomena in postmodern society in his works to seek the road of ecological salvation. This paper,from the two aspects of natural destruction and narrative salvation,analyzes the ecological crisis in nature and in the cities which are shown in his novels to find his strategies and ways of salvation hidden in postmodern narrative features: natural beauty,primitive beliefs and postmodern deconstruction. Finally,it points out the two aspects exactly embody Don De Lillo's holistic ecological criticism : difference,openness and dynamism.

关 键 词：唐·德里罗 生态之殇 叙事 拯救 后现代解构 

分 类 号：I06[文学—文学理论]