《卡桑德拉》中的神话接受现象研究  

On the Myth-Reception in Kassandra

作　　者：刘为[1] 

机构地区：[1]华中师范大学外语学院

出　　处：《外国文学研究》2016年第5期25-32,共8页Foreign Literature Studies

基　　金：作者主持的中央高校基本科研业务费专项资金项目"克里斯塔.沃尔夫的作品和美学思想研究"【项目批号:CCNU13A03007】;国家留学基金委青年骨干教师出国研修项目"克里斯塔.沃尔夫作品中的神话原型及其变异研究"的阶段性成果

摘　　要：沃尔夫继承了早期浪漫派关于社会正当性缺失和神话的合法性功能的讨论,并将其视为文学创作的出发点;她从对旧神话的回溯中,获取其革新的潜能,将"新神话"的理念巧妙地诗学化在卡桑德拉的自我意识和个体形成过程中,借用卡桑德拉的视角重新书写了特洛伊战争,藉此针砭德意志民族之弊;同时,她对固化不变的美学习惯以及由此导致的诗学语言表现力的折损进行了深刻的批判,积极主张建构结构开放、具有多义性、主体性和创新性的美学形式,在作品中完美地践行了她一直倡导的"主观真实性"的写作诉求。Christa Wolf inherited the ideas about crisis of legitimacy and the legitimating function of mythology of the early romanticists. By taking this as the starting point of his literary creation, Wolf detected the potential of renovation in this retrospect. In a skillful way, Wolf applied the conception about ＂New Mythology＂ to the depiction of the self-consciousness and the individual formation of Kassandra. From the perspective of Kassandra, Wolf rewrote the history of the Trojan War, with the aim to criticize the weaknesses of the German nation. At the same time, by criticizing the unchanging aesthetic habits as well as the consequent wearing out of the expressiveness of the poetic language, Wolf actively advocates a new aesthetic form which is structurally open, polysemous and innovative. By adopting these new techniques, Wolf ＇s writing can be regarded as a perfect example of the new writing approach called ＂Subjective Authenticity＂.

关 键 词：新神话 《卡桑德拉》 克里斯塔·沃尔夫 

分 类 号：I516.074[文学—其他各国文学]