鲁迅的小说创作思想与《中国小说史略》的编纂  

Lu Xun's Idea of Fiction Writing and His Brief History of Chinese Fiction

作　　者：温庆新[1] Wen Qingxin(Ph. D. , is a lecturer in the College of Literature, Hunan Normal University Changsha 410081, China)

机构地区：[1]湖南师范大学文学院

出　　处：《文艺理论研究》2016年第5期81-89,共9页Theoretical Studies in Literature and Art

基　　金：国家社科基金后期资助"鲁迅<中国小说史略>辨正"[项目编号:15FZW057]的阶段性成果

摘　　要：鲁迅的小说创作思想对其编纂《中国小说史略》有着重要影响。从鲁迅整理古代小说文献到具体编纂《史略》时将小说作为历史现象来解读、再到其授课意图及效果,均可证明其借"国民性批判"的视角确立"立人"思想以主导《史略》编纂之目的意图。而贯穿于鲁迅小说创作始末的"为人生"文学观,促使《史略》从小说客体的描写对象与创作主体两方面切入,以设定由写神的向写人的演进、由无意为小说向有意为小说演进等两大小说规律;"有意为小说"的提法并非完全属于文体判断,而是基于对"为人生"文学观的表现程度多寡而言。"为人生"文学观是《史略》有关古代小说之思想性论断、艺术性评判等评骘的潜在价值标准;尤其是,认为《水浒传》是为"市井细民写心",系"为人生"文学观延展的结果。Lu Xun＇s idea of fiction writing was deeply influenced by his conceptualization of the book A Brief History of Chinese Fiction. Lu Xun initially read fictions as a historical phenomenon while currying the ancient Chinese fictional writings, and his lectures on the topic showed that he intended to take the perspective of nationalist critique. These showed that Lu Xun＇s guiding idea for writing the history of Chinese fiction was the cultivation of integrate men. The literary idea of ＂writing for life＂ （as contrary to ＂writing for art＂） was reflected in Lu Xun＇s own fictional writings, and the idea behind the ＂Brief History＂ helped him to take the two perspectives of objective description and creative subject and his focus in writing was shifted from the deities to the common people and he gradually became a conscious fiction writer. The idea of ＂writing for life＂ became his criterion in judging the values of Chinese ancient novels, such as The Outlaws of the Marsh which Lu Xun believed to be a work about the ordinary people＇s life and mentality.

关 键 词：鲁迅 《中国小说史略》 立人 为人生 市井细民写心 

分 类 号：I210.6[文学—中国文学]