明清小说作者与小说“副文本”  

The Connection between the Ming and Qing Fiction Authors and the Novel Attached Text

作　　者：陈才训[1] 

机构地区：[1]黑龙江大学文学院,黑龙江哈尔滨150081

出　　处：《中国文学研究》2016年第4期32-35,共4页Research of Chinese Literature

基　　金：国家社科基金项目"明清小说文本形态生成与演变研究"(11CZW042);黑龙江省高校青年学术骨干支持计划项目(1253G045)阶段性成果

摘　　要：明清小说作者不止创作了小说文本,还亲撰了许多名目不一、种类繁多的"副文本"。那些在现实生活中难遂其志的明清小说作者,往往通过各种"副文本"来彰显自己的经世才略;他们的署名和文本编排名目也显示了其复杂多样的创作心态及审美趣味;一般情况下,他们在小说中附以多种"副文本",这进一步丰富了小说文本形态的内涵和外延,并在一定程度上显示出小说文本的包容性。During the Ming and qing dynasties, the author of the novel not only created the novel text, and personally wrote various kinds of attached text. Those in real life were hard to achieve their ideal novels in the Ming and qing dynasties, the author, often through a variety of attached text to assert their political wisdom. They also show the complicated mentality and aesthetic taste in the signature and the novel text layout system. In general, they inserted a variety of attached text in the novel, which further enriched the connotation and extension of the novel text, and to a certain extent, show a novel style of inclusive.

关 键 词：明清小说家 副文本 创作心态 包容性 

分 类 号：I242[文学—中国文学]