江户时代“粹”的审美意识形成的社会背景  

Social Background of Aesthetic Consciousness of “Iki” in Edo Period

作　　者：徐金凤[1] 

机构地区：[1]沈阳航空航天大学外国语学院,辽宁沈阳110136

出　　处：《日本问题研究》2016年第5期32-40,共9页Japanese Research

基　　金：辽宁省教育厅人文社会科学一般项目(W2014040)

摘　　要："粹"主要是日本江户时期以遊里为舞台的一种审美意识概念,这一审美意识能在江户时代形成并定着与当时的社会环境有着密不可分的关系。参勤交代制使江户发展成为新兴町人聚集、武士多、男性多的消费型大都市。江户的这一城市特点促进了遊里的兴盛,并催生了江户子、伊达等"粹"的审美意识的践行者。以洒落本、人情本为代表的遊里文学的盛行进一步加速了"粹"的审美意识在社会的推广与传播。元禄时期开始形成的"浮世"感在化政文化时期得以定型,并规定了以"粹"的审美意识为代表的化政文化的特征。＂Iki＂ is an aesthetic consciousness based on Yuuri during Edo period, which took shape during Edo period just due to its close relation with social background.Sannkinn-koutai made Edo a new-emerging consumptive metropolis with majority of Chonin,Saurai and male.This feature of Edo promoted the pros perity of Yuuli,and produced practitioner of ＂iki＂ aesthetic consciousness like Edokko and Otokodae.Furthermore, yuuli literature based on Syarehon and Ninjouhon boosted the promotion of ＂iki＂ aesthetic con sciousness in Japan.Good sense originated in Gennroku period was finalized in Kase period,which set the features of Kase culture represented by ＂iki＂ aesthetic consciousness.

关 键 词：“粹” 遊里 江户子 伊达 人情本 

分 类 号：B834.3[哲学宗教—美学] C911[经济管理]