烦恼三千皆自欲--歌剧《佩里亚斯与梅丽桑德》中国首演  

On the China premiere of Pelléas et Mélisande

作　　者：为之 无 

机构地区：[1]不详 [2]新蝉戏剧中心

出　　处：《歌剧》2016年第10期40-41,98,共2页Opera

摘　　要：德彪西的歌剧《佩里亚斯与梅丽桑德》,被认为是现代歌剧的始祖,因为它在表现手法上与古典歌剧截然不同——没有咏叹调,没有合唱,故事只围绕几个角色展开,音乐如行云流水,自始至终没有停顿,每一场戏看似独立,实则联系紧密,而且层层推进,其传达的戏剧性和张力,是全方位的。除了舞台上表现出的,还有观众自己想象的,虚实结合,不知不觉就会随着音乐走进戏里,如梦如幻。正是这种非常特别的感受,在我听过一次之后,便深深地被它迷住了。When I heard the opera Pelleas et Melisande would receive its Shanghai premiere,I was intensely curious.Director Yi Liming has decided to transfer the setting from a forest in the Middle Ages to a Suzhou garden.To Yi,Debussy's operatic music reminded him of the parks and gardens of Suzhou.While people are always entranced by the splendor of Suzhou's gardens,Yi Liming finds a dark and unknown side to the landscape.

关 键 词：现代歌剧 佩里 中国 烦恼 桑 表现手法 虚实结合 德彪西 

分 类 号：J832[艺术—戏剧戏曲]